"Bourrée fantasque (Arr. for Violin and Orchestra by Thibault Perrine)" by Emmanuel Chabrier, Alexandra Soumm, Orchestre de chambre Pélléas, Benjamin Lévy had its release date on June 7, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Chabrier: Bourrée fantasque and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Bourrée fantasque (Arr. for Violin and Orchestra by Thibault Perrine) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bourrée fantasque (Arr. for Violin and Orchestra by Thibault Perrine) by Emmanuel Chabrier, Alexandra Soumm, Orchestre de chambre Pélléas, Benjamin Lévy is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oration, Concerto elegiaco, H. 180: IV. Allegro giusto – Tranquillo | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Minor | 1 | 5A | 91 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: I. Etudes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Symphony No. 9 in D Major: III. Rondo Burleske: No. 6, [Clarinets] | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
String Quartet No. 1, Mvnt. IV. | James William Ricci, QX String Quartet | C Major | 1 | 8B | 174 BPM | ||
The Purple Jack - Largo Terminale | Ola Kvernberg, Trondheim Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Symphony No. 6 in E-Flat Minor, Op. 111: III. Vivace | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | A♭ Major | 1 | 4B | 147 BPM | ||
Asunder: II. Patient & mysterious | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 1 | 11A | 61 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM |