Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White) - Eleanor Alberga, Danny DeVito, Joanna Lumley, Griff Rhys Jones, Taliesin Orchestra, Peter Ash Information

Acousticness: 75%
Danceability: 49%
Energy: 9%
Instrumentalness: 0%
Liveness: 49%
Loudness: 53%
Speechiness: 42%
Valence: 18%
Popularity: 0%
Loudness: -28.309 dB

Summary

"Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White)" by Eleanor Alberga, Danny DeVito, Joanna Lumley, Griff Rhys Jones, Taliesin Orchestra, Peter Ash had its release date on November 1, 2011. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 20 in Dahl: Snow-White and the Seven Dwarfs by Eleanor Alberga, Peter Ash. The popularity of Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White) BPM

The tempo marking of Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White) by Eleanor Alberga, Danny DeVito, Joanna Lumley, Griff Rhys Jones, Taliesin Orchestra, Peter Ash is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White) Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 9 in D Major: I. Andante comodo: No. 5, Schattenhaft	Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker	D♭ Major	0	3B	86 BPM
Symphony No. 4 in A Minor, Op. 63: IV. Allegro	Jean Sibelius, Gothenburg Symphony Orchestra, Santtu-Matias Rouvali	D♭ Minor	1	12A	88 BPM
Symphony-Concerto in E minor, Op. 125: III. Andante con moto — Vivace — Allegretto — Allegro marcato — Poco meno mosso	Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier	B Major	0	1B	86 BPM
Shaker Loops: II. Hymning Slews	John Adams, Oxalys	A Major	0	11B	61 BPM
Symphony in C: I. Moderato alla breve	Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra	C Major	1	8B	78 BPM
String Quartet No. 2	Eleanor Alberga, Ensemble Arcadiana	F Minor	1	4A	144 BPM
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game	Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst	F Minor	1	4A	101 BPM
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version)	Aaron Copland, Minnesota Orchestra, Sir Neville Marriner	C Major	0	8B	87 BPM
Oration, Concerto elegiaco, H. 180: VI. Allegro	Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth	C Major	0	8B	81 BPM
Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso	Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins	F Major	2	7B	116 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records