Gaetano Donizetti, Salvadore Cammarano, Mario Zanasi, William Wildermann, Dame Joan Sutherland, Richard Tucker, Margery MacKay, Piero de Palma, Mariano Caruso, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto made "Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico, Normanno, Raimondo)" available on September 9, 2010. The duration of Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico, Normanno, Raimondo) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico, Normanno, Raimondo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 42 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto, Saul Caston. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico, Normanno, Raimondo) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico, Normanno, Raimondo) by Gaetano Donizetti, Salvadore Cammarano, Mario Zanasi, William Wildermann, Dame Joan Sutherland, Richard Tucker, Margery MacKay, Piero de Palma, Mariano Caruso, Chicago Lyric Opera Chorus, Chicago Lyric Opera Orchestra, Antonino Votto is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
Maria Padilla: Act 1: Il più tenero suon d'arpa | Gaetano Donizetti, Renée Fleming, Kristine Jepson, Orchestra of St. Luke's, Patrick Summers | B Minor | 1 | 10A | 70 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Lucia di Lammermoor, Act II: Il pallor, funesto, orrendo | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | E Minor | 2 | 9A | 114 BPM | ||
Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM |
Section: 0.7723081111907959
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