"Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach"" by Staatskapelle Berlin, Otmar Suitner, Karl-Heinz Stryczek, Ludmilla Dvorakova was released on 1974. Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #5 out of 8 tracks. Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" by Staatskapelle Berlin, Otmar Suitner, Karl-Heinz Stryczek, Ludmilla Dvorakova has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Martha: Act I: Duet: Wie das schnattert - Ja, seit fruher Kindheit Tagen (Plumkett, Lyonel) | Friedrich von Flotow, Josef Greindl, Johannes Schüler, Staatskapelle Berlin, Peter Anders | B♭ Major | 3 | 6B | 80 BPM | ||
Rondo À La Krakowiak In F Major, Op. 14: Introduzione. Andantino quasi Allegretto - Allegro molto | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | F Major | 0 | 7B | 82 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 2 | 6B | 98 BPM | ||
Souvenir de Florence, Op. 70, TH 118: II. Adagio cantabile e con moto - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | D Major | 1 | 10B | 89 BPM | ||
The Dream of Gerontius, Op. 38 / Pt. 2: Low-born clods of brute earth | Edward Elgar, Catherine Wyn-Rogers, RIAS Kammerchor, Staatsopernchor Berlin, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 143 BPM |
Section: 0.6703023910522461
End: 0.6745493412017822