"Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13" by Ludwig van Beethoven, Patrick Gallois, Pascal Gallois, Myung-Whun Chung, Philharmonia Orchestra was released on June 4, 2021. With this song being about 5 minutes long, at 4:55, "Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13" by Ludwig van Beethoven, Patrick Gallois, Pascal Gallois, Myung-Whun Chung, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Perfect Concentration". In this album, this song's track order is #18. Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13 by Ludwig van Beethoven, Patrick Gallois, Pascal Gallois, Myung-Whun Chung, Philharmonia Orchestra having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Symphony No. 6 (Arr. Piano) | Music Lab Collective, Ludwig van Beethoven | F Major | 0 | 7B | 101 BPM |
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