"Till Eulenspiegels lustige Streiche, Op. 28, TrV 171" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 In D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 2. Largo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | D♭ Major | 0 | 3B | 84 BPM | ||
Music To Goethe's Tragedy "Egmont" Op.84: Ouverture - Sostenuto, ma non troppo - Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 135 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Joseph Haydn, Berliner Philharmoniker, Hans Knappertsbusch | G Major | 2 | 9B | 119 BPM | ||
Hiller Variations, Op. 100: 2. Variation | Max Reger, Berliner Philharmoniker, Paul van Kempen | E Major | 2 | 12B | 89 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 80 BPM | ||
Concerto for Piano and Orchestra: IV. Quarter Note = 84 - Presto | Witold Lutosławski, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 2 | 7A | 171 BPM | ||
Saturn - Die Planeten | Gustav Holst, Sir Simon Rattle, Berliner Philharmoniker | D Major | 1 | 10B | 139 BPM |
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