Max Reger, Berliner Philharmoniker, Paul van Kempen's 'Hiller Variations, Op. 100: 2. Variation' came out on February 19, 2016. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Reger: Hiller-Variations, Op.100 / Brahms: Academic Festival Overture, Op.80 / Berlioz: Overture "Benvenuto Cellini", Op.23 / Rossini: Overture WilliamTell". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Hiller Variations, Op. 100: 2. Variation is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hiller Variations, Op. 100: 2. Variation by Max Reger, Berliner Philharmoniker, Paul van Kempen having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
30 Little Chorale Preludes, Op. 135a: No. 1, Ach bleib mit deiner Gnade | Max Reger, Ludger Lohmann | C Minor | 0 | 5A | 72 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | ||
Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 7. Adagio | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132 (version for orchestra): Theme: Andante grazioso | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 114 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 1 | 11B | 96 BPM |
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