"Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo" by Max Reger, Staatskapelle Dresden, Heinz Bongartz was released on January 1, 1972. The duration of Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Reger: Variations and Fugue on a Theme of Mozart". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo by Max Reger, Staatskapelle Dresden, Heinz Bongartz having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major - Arr. Benjamin: 3. Siciliana | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | A Minor | 0 | 8A | 169 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Variations and Fugue on a Theme by Bach, Op. 81: XIII. Variation XII. Andante Sostenuto | Max Reger, Eden Walker | D Major | 0 | 10B | 133 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Mendelssohn: 6 Lieder, Op. 9: No. 6 Die Mainacht | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Minor | 1 | 12A | 72 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Suite for Flute and Piano Op. 34 No 1: IV Final | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | A♭ Major | 2 | 4B | 108 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM |
Section: 0.6838483810424805
End: 0.6872477531433105