"Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 2. Largo" by Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík was released on October 4, 1993. Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 2. Largo appears to be safe for all ages as it is not explicit. The song is number 2 out of 14 in Dvorak: Symphonies Nos.7, Op. 70; No. 8, Op. 88; No. 9 "From The New World" , Op. 95; The Wood Dove, Op. 110 / Smetana: The Moldau by Antonín Dvořák, Boston Symphony Orchestra, Bavarian Radio Symphony Orchestra, Berliner Philharmoniker, Rafael Kubelík. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 2. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 2. Largo by Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 91 BPM | ||
Scheherazade, Op. 35: IV. Allegro molto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Rachmaninov: Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Sir Simon Rattle, Berliner Philharmoniker | F♯ Minor | 0 | 11A | 124 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM |
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