"Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): V. Old Home Day" by Charles Ives, Jonathan Elkus, Sara Dell'Omo, United States Marine Band, Jason K. Fettig was released on May 27, 2016. The duration of Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): V. Old Home Day is about 3 minutes long, at 3:10. Based on our data, "Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): V. Old Home Day" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 15 in Be Glad Then, America by United States Marine Band, Jason K. Fettig. In terms of popularity, Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): V. Old Home Day is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): V. Old Home Day by Charles Ives, Jonathan Elkus, Sara Dell'Omo, United States Marine Band, Jason K. Fettig is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Nocturnes, L.91: I. Nuages | Claude Debussy, Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Piano Trio: I. Pale Yellow | Jennifer Higdon, Anne Akiko Meyers, Alisa Weilerstein, Adam Neiman | A Major | 0 | 11B | 128 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': I. Andante. Con moto. Allegro | Leoš Janáček, Jerusalem Quartet | A♭ Major | 1 | 4B | 79 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Mikhail Pletnev, Russian National Orchestra | E Major | 0 | 12B | 88 BPM |
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