Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's ' "Sechs deutsche Lieder, Opus 37: Nr. 2 Lebenslied (Arr. für Stimme und Gitarre von Boris Tesic)" was released on its scheduled release date, September 8, 2023. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 20 out of 24. On top of that, Germany appears to be the country where this track was created. Sechs deutsche Lieder, Opus 37: Nr. 2 Lebenslied (Arr. für Stimme und Gitarre von Boris Tesic) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sechs deutsche Lieder, Opus 37: Nr. 2 Lebenslied (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 57: No. 3, Do Not Ask | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 2 | 7A | 106 BPM | ||
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Faust, Act II (1852 Version): Durft ich mich nennen sein eigen | Louis Spohr, Claudia Taha, Bielefeld Philharmonic Orchestra, Geoffrey Moull | G Minor | 0 | 6A | 83 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM |