"Faust, Act II (1852 Version): Durft ich mich nennen sein eigen" by Louis Spohr, Claudia Taha, Bielefeld Philharmonic Orchestra, Geoffrey Moull had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Faust, Act II (1852 Version): Durft ich mich nennen sein eigen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Spohr: Faust (1852 Version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Faust, Act II (1852 Version): Durft ich mich nennen sein eigen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faust, Act II (1852 Version): Durft ich mich nennen sein eigen by Louis Spohr, Claudia Taha, Bielefeld Philharmonic Orchestra, Geoffrey Moull having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E♭ Major | 0 | 5B | 107 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Faust, Act III (1852 Version): Ich bin erschöpft, ich kann nicht weiter | Louis Spohr, Michael Vier, Ulrich Neuweiler, Bielefeld Philharmonic Orchestra, Geoffrey Moull | F♯ Major | 1 | 2B | 112 BPM | ||
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Nonet in F, Op.31: 4. Finale (Vivace) | Louis Spohr, Wolfgang Schulz, Hansjorg Schellenberger, Karl Leister, Milan Turkovic, Günter Högner, Gerhart Hetzel, Wolfram Christ, Georg Faust, Alois Posch | F Major | 1 | 7B | 157 BPM |