Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot made "Sonata Terza in D Minor for two Recorders: II. Allegro" available on January 11, 2019. With Sonata Terza in D Minor for two Recorders: II. Allegro being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Based on our statistics, Sonata Terza in D Minor for two Recorders: II. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata Terza in D Minor for two Recorders: II. Allegro by Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Sonata No. 5 in E Minor, RV 40, Op. 14: I. Largo | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | E♭ Minor | 1 | 2A | 140 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM |
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