Samuel Scheidt, Stephen Cleobury, Choir of King's College, Cambridge's 'Puer natus in Bethlehem' came out on March 22, 2019. The duration of Puer natus in Bethlehem is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Puer natus in Bethlehem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Music of King's: Choral Favourites from Cambridge". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Puer natus in Bethlehem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puer natus in Bethlehem by Samuel Scheidt, Stephen Cleobury, Choir of King's College, Cambridge having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puer natus in Bethlehem | Samuel Scheidt, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 2 | 6A | 81 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 131 BPM | ||
Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) | Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D Major | 1 | 10B | 77 BPM | ||
There Is No Rose | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 1 | 6B | 130 BPM | ||
Purcell: Blessed Are They That Fear the Lord, Z. 5 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Peter Castle, Jonathan Robarts, Francis Grier, Michael Cockerham, Academy of St. Martin in the Fields | G Minor | 0 | 6A | 80 BPM | ||
Abide With Me (Eventide) | William Henry Monk, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Major | 1 | 5B | 75 BPM |
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