"6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke)" by Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann was released on August 1, 2010. The duration of 6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 22 in Am Brunnen vor dem Tore by Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann. 6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) by Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Himmel rühmen | Der Montanara Chor, Ludwigsburger Blechbläserquintett, Michael Alber (Leitung), Ludwig van Beethoven, Christian Furchtegott Gellert, Dmitry Bortniansky, Jan Willems (Arrangeur) | D Major | 2 | 10B | 102 BPM | ||
Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
3 geistliche Lieder, Op. 36: II. Bleibe, Abend will es werden | Albert Becker, Kammerchor CONSONO, Harald Jers | A Major | 0 | 11B | 77 BPM | ||
Weep, O mine eyes | John Bennet, The King's Singers | A♭ Minor | 0 | 1A | 127 BPM | ||
Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Heroische Musik: II. Grazioso | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | D Major | 1 | 10B | 95 BPM | ||
Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM | ||
Mass in C Major, K. 317 "Coronation": I. Kyrie | Wolfgang Amadeus Mozart, Barbara Bonney, Jamie MacDougall, The English Concert Choir, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 91 BPM |
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