"Weep, O mine eyes" by John Bennet, The King's Singers was released on June 4, 2012. The duration of Weep, O mine eyes is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Weep, O mine eyes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Royal Rhymes and Rounds". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Weep, O mine eyes's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Weep, O mine eyes by John Bennet, The King's Singers having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
Christus factus est | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | D Minor | 0 | 7A | 173 BPM | ||
Chichester Psalms: I. Psalm 108 vs. 2, Psalm 100 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 70 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Pastime with good companie (The King’s Ballad) | Henry VIII, The King's Singers | G Minor | 1 | 6A | 110 BPM | ||
St. Matthew Passion, BWV 244 - Rev. Elgar, Atkins / Pt. Two: Chorus: "O Sacred Head Surrounded" | Johann Sebastian Bach, The Bach Choir, Thames Chamber Orchestra, Sir David Willcocks | F Major | 1 | 7B | 104 BPM | ||
Amor de mi Alma | Z. Randall Stroope, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy | D♭ Major | 0 | 3B | 134 BPM |
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