Johann Sebastian Bach, James Mattern, Chicago Brass Quintet made "English Suite No. 2 in A Minor, BWV 807: V. Bourree I and II (arr. for brass quintet)" available on January 1, 1991. The duration of English Suite No. 2 in A Minor, BWV 807: V. Bourree I and II (arr. for brass quintet) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. English Suite No. 2 in A Minor, BWV 807: V. Bourree I and II (arr. for brass quintet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 26 in Brass Music - Mouret, J. / Bach, J.S. / Handel, G. / Vivaldi, A. / Calvert, M. / Scearce, J. / Bozza, E. (Virtuoso Brass) by Chicago Brass Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, English Suite No. 2 in A Minor, BWV 807: V. Bourree I and II (arr. for brass quintet) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of English Suite No. 2 in A Minor, BWV 807: V. Bourree I and II (arr. for brass quintet) by Johann Sebastian Bach, James Mattern, Chicago Brass Quintet is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM |
Section: 0.7043225765228271
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