"Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio" by Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp was released on November 16, 2010. Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 12 out of 13 in Bach: Oboe Concertos by Johann Sebastian Bach, Alexei Ogrintchouk, Swedish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio by Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro | Johann Sebastian Bach, Sir Neville Marriner, George Malcolm, Iona Brown, William Bennett | B Minor | 2 | 10A | 125 BPM | ||
5 Mélodies for Violin and Piano, Op. 35a: III. Animato, ma non allegro | Sergei Prokofiev, Alina Ibragimova, Steven Osborne | E Major | 0 | 12B | 77 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | B Major | 2 | 1B | 128 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77 (Formerly Op. 99): II. Scherzo. Allegro | Dmitri Shostakovich, State Academic Symphony Orchestra "Evgeny Svetlanov", Vladimir Jurowski, Alina Ibragimova | A Minor | 2 | 8A | 160 BPM | ||
Violin Partita: IV. Comodo | Huw Watkins, Alina Ibragimova | A Minor | 2 | 8A | 160 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Concerto No. 6 In D Major BWV1051 - Adagio Ma Non Troppo | Jordi Savall, Johann Sebastian Bach | D Major | 1 | 10B | 75 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Dunedin Consort, John Butt, Cecilia Bernardini, Alfredo Bernardini | B Minor | 4 | 10A | 110 BPM | ||
Fantasiestücke, Op. 73: III. Rasch und mit feuer | Robert Schumann, Alexei Ogrintchouk, Leonid Ogrintchouk | D♭ Major | 0 | 3B | 79 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM |
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