Giovanni Battista Bassani, Nova Ars Cantandi, Marcello Vargetto, Giovanni Acciai made "Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Memor erit in saeculum testamenti sui" available on May 5, 2015. With Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Memor erit in saeculum testamenti sui being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Memor erit in saeculum testamenti sui is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Psalm 110 "Confitebor tibi Domine": Psalm 110, "Confitebor tibi Domine": Memor erit in saeculum testamenti sui by Giovanni Battista Bassani, Nova Ars Cantandi, Marcello Vargetto, Giovanni Acciai is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: II. Andante | Johann Stamitz, Musica Viva, Alexander Rudin | B Minor | 0 | 10A | 81 BPM | ||
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 4 | 12B | 101 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Violin Concerto in F Major "Il Proteo o sia il mondo al rovescio", RV 544: II. Largo | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 0 | 8B | 101 BPM | ||
Te Deum "de Lyon": VIII. Tu ad liberandum suscepturus hominem | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM |
Section: 0.7102749347686768
End: 0.7154066562652588