"Ein Schwert verhiess mir der Vater (Die Walküre)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. With this song being about 5 minutes long, at 4:42, "Ein Schwert verhiess mir der Vater (Die Walküre)" by Max Lorenz, Orchester Der Staatsoper Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 27 out of 33. On top of that, Austria appears to be the country where this track was created. Ein Schwert verhiess mir der Vater (Die Walküre) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein Schwert verhiess mir der Vater (Die Walküre) by Max Lorenz, Orchester Der Staatsoper Berlin to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, II parte: "Preludio" | Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Strength to My World | Ernesto Vallini, Laura Millocca, Valhalla Orquestra, Greg Dramund | D♭ Minor | 1 | 12A | 59 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Einleitung | Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler | B Major | 2 | 1B | 67 BPM | ||
Christus am Ölberge, Op. 85: 5a. "Hier ist er, der Verbannte" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | D Major | 4 | 10B | 126 BPM |
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