Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona's 'Las Golondrinas, II parte: "Preludio"' came out on May 15, 1999. The duration of Las Golondrinas, II parte: "Preludio" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Las Golondrinas, II parte: "Preludio"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Las Golondrinas" album is number 17 out of 20. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Las Golondrinas, II parte: "Preludio"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Las Golondrinas, II parte: "Preludio" by Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: Lauretta, mia Lauretta! (Rinuccio/Lauretta/Schicchi) | Giacomo Puccini, José van Dam, Antonio Pappano, London Symphony Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
Der fliegende Holländer, WWV 63 / Act 2: "Ach, wo weilt sie" | Richard Wagner, Janis Martin, Isola Jones, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 109 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Un dí all' azzurro spazio | Umberto Giordano, Enrico Caruso | B♭ Major | 2 | 6B | 60 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Tosca / Act 1: "Mia gelosa!" | Giacomo Puccini, José Carreras, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 140 BPM | ||
Puccini: Turandot, Act 1: "Silenzio, olà! Laggiù chi parla?" (Ancelle, Ping, Pang, Pong, Calaf) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 2 | 4B | 90 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
La Bohème: Ahi! Qual dolore, qual bruciore! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Bianca Bellesia, Guido Pasella, Vito Mattioli, Alberta Pellegrini, Luciano Pavarotti, Walter De | G Major | 5 | 9B | 132 BPM |
Section: 0.6385409832000732
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