Richard Barrett, BBC Symphony Orchestra, Arturo Tamayo's 'Vanity: III. Residua' came out on April 1, 2012. Since Vanity: III. Residua is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 3 in Barrett: Vanity by Richard Barrett, BBC Symphony Orchestra, Arturo Tamayo. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Vanity: III. Residua's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vanity: III. Residua by Richard Barrett, BBC Symphony Orchestra, Arturo Tamayo is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Negatives: V. Entstellt | Richard Barrett, Elision Ensemble | G Major | 1 | 9B | 74 BPM | ||
Violin Concerto No.2 "The American Four Seasons" - Movement I | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | G Minor | 3 | 6A | 120 BPM | ||
Pa1p1 | Ionel Petroi | A Minor | 0 | 8A | 90 BPM | ||
Cage: Daughters of the Lonesome Isle | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) | Richard Heuberger, Clara Rockmore, Nadia Reisenberg | C Major | 1 | 8B | 80 BPM | ||
Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM | ||
Turangalîla Symphonie: 7. Turangalîla 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Minor | 1 | 7A | 84 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with | Toru Takemitsu, Kotaro Fukuma | B♭ Major | 0 | 6B | 112 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Terry Riley: Sun Rings: Overture | Terry Riley, Kronos Quartet | F Minor | 7 | 4A | 94 BPM |
Section: 0.9524176120758057
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