"April is in My Mistress’ Face" by Thomas Morley, The Sixteen, Harry Christophers was released on April 29, 2013. With April is in My Mistress’ Face being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 32 in An Immortal Legacy by The Sixteen, Harry Christophers. Based on our statistics, April is in My Mistress’ Face's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of April is in My Mistress’ Face by Thomas Morley, The Sixteen, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Salvator mundi (Cantiones sacrae 1575) | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 2 | 3A | 82 BPM | ||
Psalmus CXX | Otto Olsson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | D Major | 0 | 10B | 69 BPM | ||
Five Motets, Op. 37: I. Eternitie | Edmund Rubbra, The Sixteen / Harry Christophers, Harry Christophers | F Minor | 1 | 4A | 77 BPM | ||
Benjamin Britten: A Hymn to the Virgin | Benjamin Britten, Schola Cantorum, Tone Bianca Sparre Dahl | A Minor | 1 | 8A | 71 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
I am the rose of Sharon | Ivo Antognini, South Dakota Chorale, Brian A. Schmidt | A Minor | 1 | 8A | 132 BPM | ||
A Hymn To The Virgin | Benjamin Britten, Gabrieli, Paul McCreesh | E♭ Major | 2 | 5B | 101 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul) | Pavel Chesnokov, The Sixteen, Harry Christophers | G Major | 1 | 9B | 134 BPM | ||
Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 126 BPM |
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