"A Hymn To The Virgin" by Benjamin Britten, Gabrieli, Paul McCreesh was released on June 27, 2020. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 55 out of 61 in Britten: His Music by Benjamin Britten. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, A Hymn To The Virgin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Hymn To The Virgin by Benjamin Britten, Gabrieli, Paul McCreesh is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
9 Sacred Pieces: 4. "Tebe poem" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Nikolai Korniev | C Major | 1 | 8B | 85 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
7 Sonnets of Michelangelo, Op. 22: Sonetto XVI: Si come nella penna e nell'inchiostro | Benjamin Britten, Steuart Bedford, Philip Langridge | A Major | 1 | 11B | 87 BPM | ||
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Kyrie | Wolfgang Amadeus Mozart, Camilla Tilling, Gabrieli, Paul McCreesh | C Minor | 1 | 5A | 68 BPM |
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