"Tallis: Salvator mundi (Cantiones sacrae 1575)" by Thomas Tallis, The Sixteen, Harry Christophers had its release date on January 1, 2007. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Tallis: Salvator mundi (Cantiones sacrae 1575)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Renaissance - Music for Inner Peace". In this album, this song's track order is #12. Tallis: Salvator mundi (Cantiones sacrae 1575) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Salvator mundi (Cantiones sacrae 1575) by Thomas Tallis, The Sixteen, Harry Christophers having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Nostre Dame: Gloria | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | C Major | 1 | 8B | 65 BPM | ||
The Spirit of Tallis | Christopher Monks, Thomas Tallis, Anna Sandström, Kelly McCusker | B♭ Minor | 0 | 3A | 71 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM |