"Messe de Nostre Dame: Gloria" by Guillaume de Machaut, Oxford Camerata, Jeremy Summerly was released on October 4, 1996. With this song being about 5 minutes long, at 4:44, "Messe de Nostre Dame: Gloria" by Guillaume de Machaut, Oxford Camerata, Jeremy Summerly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Guillaume de Machaut's "Machaut: Messe De Nostre Dame (La) / Le Voir Dit" album is number 2 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Messe de Nostre Dame: Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe de Nostre Dame: Gloria by Guillaume de Machaut, Oxford Camerata, Jeremy Summerly to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Je vivroie liement | Guillaume de Machaut, Brigitte Lesne, Pierre Hamon | D♭ Major | 1 | 3B | 94 BPM | ||
Requiem, Op. 48: Introit Et Kyrie | Oxford Camerata, Nicholas Gedge, Oxford Schola Cantorum, Lisa Beckley, Colm Carey, Gabriel Fauré | B♭ Major | 0 | 6B | 64 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 2 | 8B | 90 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Masses, Book 5: Missa Aeterna Christi munera: Credo | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | E Major | 1 | 12B | 88 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 70 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM |
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