"Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)" by Pavel Chesnokov, The Sixteen, Harry Christophers was released on January 1, 2006. The duration of Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen, Harry Christophers, Huw Williams, Charles Fullbrook's "IKON - Music for the Spirit & Soul" album is number 13 out of 17. Based on our statistics, Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul) by Pavel Chesnokov, The Sixteen, Harry Christophers to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A New Song | James MacMillan, The Sixteen, Harry Christophers | A Major | 1 | 11B | 125 BPM | ||
Advance Democracy: Advance Democracy - studio | The Sixteen | E♭ Major | 1 | 5B | 112 BPM | ||
Christ Our Passover | University of King's College Chapel Choir, Paul Halley | C Minor | 2 | 5A | 105 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Tomkins: When David heard | Thomas Tomkins, The Sixteen, Harry Christophers | G Major | 1 | 9B | 137 BPM | ||
Mass in G Minor, BWV 235: Cum Sancto Spiritu | Johann Sebastian Bach, The Sixteen, Harry Christophers | F♯ Minor | 2 | 11A | 96 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Five Flower Songs: The Evening Primrose - studio | The Sixteen | B Major | 0 | 1B | 139 BPM | ||
Versicles and Responses I | Bernard Rose, The Choir of Magdalen College, Oxford, Martin Souter | A Major | 0 | 11B | 78 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, The Sixteen, Harry Christophers | F Minor | 1 | 4A | 74 BPM |
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