- BPM
- 70
- Key
- D Minor
- Camelot
- 7A
Requiem in D minor, K.626: 3. Sequentia: Confutatis - Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Information
- Acousticness
- 99%
- Danceability
- 11%
- Energy
- 1%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 17%
- Loudness
- -25.15 dB
Summary
"Requiem in D minor, K.626: 3. Sequentia: Confutatis" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1991. The duration of Requiem in D minor, K.626: 3. Sequentia: Confutatis is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Requiem in D minor, K.626: 3. Sequentia: Confutatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Requiem" album is number 7 out of 14. Requiem in D minor, K.626: 3. Sequentia: Confutatis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem in D minor, K.626: 3. Sequentia: Confutatis BPM
We consider the tempo marking of Requiem in D minor, K.626: 3. Sequentia: Confutatis by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Requiem in D minor, K.626: 3. Sequentia: Confutatis Key
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | |
 | Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 0 | 7B | 87 BPM | |
 | Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | |
 | Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 85 BPM | |
 | Requiem in D Minor, K. 626: VIII. Communio: Lux aeterna | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 2 | 7A | 90 BPM | |
 | Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | |
 | Mass in C Major, K. 317 "Coronation": II. Gloria | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert, Trevor Pinnock, The English Concert Choir | G Major | 3 | 9B | 138 BPM | |
 | Il Trovatore: Act II: Scene 1: Vedi! Le fosche notturne spoglie | Giuseppe Verdi, Zubin Mehta, New Philharmonia Orchestra | G Major | 4 | 9B | 129 BPM | |
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7346560955047607
End: 0.7379515171051025