"Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei" by Nikolaus Harnoncourt, Vienna State Opera Chorus was released on 1982. The duration of Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei is about 3 minutes long, at 3:21. Based on our data, "Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 13 out of 14. On top of that, Germany appears to be the country where this track was created. Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: II. Kyrie | Nikolaus Harnoncourt, Vienna State Opera Chorus | D Minor | 2 | 7A | 84 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne - Andante | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Curdin Coray, Roger Pyne, Howard Griffiths | A Major | 1 | 11B | 162 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro | Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien | F♯ Major | 2 | 2B | 87 BPM | ||
Nessun dorma!...from Turandot - Vocal | Giacomo Puccini, José Carreras, Lorin Maazel | B♭ Minor | 1 | 3A | 112 BPM | ||
Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Ah! Ich habe deinen Mund geküsst, Jochanaan | Richard Strauss, Birgit Nilsson, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 92 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | F Minor | 2 | 4A | 84 BPM |
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