Nikolaus Harnoncourt, Vienna State Opera Chorus made "Mozart: Requiem in D Minor, K. 626: II. Kyrie" available on 1982. The duration of Mozart: Requiem in D Minor, K. 626: II. Kyrie is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Mozart: Requiem in D Minor, K. 626: II. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. Mozart: Requiem in D Minor, K. 626: II. Kyrie is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: II. Kyrie by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse Macabre, Op. 40 | Camille Saint-Saëns, Jura Margulis | E♭ Major | 3 | 5B | 115 BPM | ||
Mozart: Requiem in D Minor, K. 626: VI. Recordare | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 1 | 7B | 131 BPM | ||
Concerto No. 3 in F Major, Op. 8 RV 293, "L'autunno" (Autumn): III. Allegro | Emmy Verhey | C Major | 2 | 8B | 78 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto | Dubravka Tomšič | D♭ Minor | 0 | 12A | 72 BPM | ||
Music for the Royal Fireworks, HWV 351: III. La réjouissance | Berliner Symphoniker | D Major | 5 | 10B | 124 BPM | ||
Mass in C Minor, K 427: Kyrie | Handel & Haydn Society | C Minor | 1 | 5A | 120 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Perpetuum Mobile, Op. 257 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | E♭ Major | 2 | 5B | 157 BPM |
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