Paul Hindemith, Berlin Philharmonic Wind Quintet's 'Kleine Kammermusik, Op. 24, No. 2: V. Sehr lebhaft' came out on August 31, 1996. The duration of Kleine Kammermusik, Op. 24, No. 2: V. Sehr lebhaft is about 3 minutes long, at 3:10. Based on our data, "Kleine Kammermusik, Op. 24, No. 2: V. Sehr lebhaft" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Berlin Philharmonic Wind Quintet's "Henze: L'Autunno / Hindemith: Kleine Kammermusik" album is number 5 out of 18. Kleine Kammermusik, Op. 24, No. 2: V. Sehr lebhaft is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kleine Kammermusik, Op. 24, No. 2: V. Sehr lebhaft by Paul Hindemith, Berlin Philharmonic Wind Quintet to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Symphonie "Mathis der Maler": 1. Engelkonzert | Paul Hindemith, San Francisco Symphony, Herbert Blomstedt | D Major | 1 | 10B | 113 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Four Pieces For Clarinet And Piano, Op. 5: 1. Mässig | Alban Berg, Sabine Meyer, Oleg Maisenberg | C Minor | 0 | 5A | 81 BPM | ||
Shéhérazade, M. 41: I. Asie | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | B♭ Major | 3 | 6B | 93 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
La mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 80 BPM | ||
Ibert: 3 Pièces brèves: I. Allegro | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 116 BPM |
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