"Carmina Burana / 2. In Taberna: "Olim lacus colueram"" by Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #12. The popularity of Carmina Burana / 2. In Taberna: "Olim lacus colueram" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 2. In Taberna: "Olim lacus colueram" by Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act 1: "Recht so! Habt Dank! Ein wenig Rast!" - "Gawan! - Herr! Gawan weilte nicht!" | Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 77 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 3 | 7B | 74 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Carmen, Act I: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 113 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - "V'è gente alla finestra" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 2 | 10B | 130 BPM |
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