Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God' came out on January 1, 1976. The duration of Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #11 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM | ||
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador | Georges Bizet, tenThing | D Minor | 2 | 7A | 148 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM |
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