Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God
Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton
Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto
2:27 January 1, 1976
BPM
106
Key
D Major
Camelot
10B

Embed

Share Link

Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God - Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton Information

Acousticness
96%
Danceability
48%
Energy
20%
Instrumentalness
0%
Liveness
32%
Loudness
76%
Speechiness
4%
Valence
36%
Popularity
Loudness
-14.25 dB

Summary

Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God' came out on January 1, 1976. The duration of Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #11 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God BPM

Since Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Happy End (1929) / Part 3 - Songs of the Rival Armies: 11. The little lieutenant of the loving God Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Puccini: La bohème, Act 1: Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo)Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanD Major110B78 BPM
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' by Maria Callas, Philharmonia Orchestra, Tullio SerafinUna voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville'Maria Callas, Philharmonia Orchestra, Tullio SerafinE Major112B136 BPM
Life and Works: Rusalka (Act I: Song to the Moon) by Sean BarrettLife and Works: Rusalka (Act I: Song to the Moon)Sean BarrettF♯ Major02B126 BPM
Son tutta duolo by Alessandro Scarlatti, Cecilia Bartoli, György FischerSon tutta duoloAlessandro Scarlatti, Cecilia Bartoli, György FischerG Minor06A92 BPM
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) by Bohuslav Martinů, Giorgio KouklLoutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade)Bohuslav Martinů, Giorgio KouklG Minor06A169 BPM
Puccini: La bohème, Act 2: Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline)Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, MilanoA Major211B132 BPM
Erbarme dich, mein Gott (From the St. Matthew Passion) by Johann Sebastian Bach, Eugen CiceroErbarme dich, mein Gott (From the St. Matthew Passion)Johann Sebastian Bach, Eugen CiceroE Minor39A136 BPM
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyBolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango)Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyE♭ Minor22A144 BPM
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador by Georges Bizet, tenThingCarmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du ToreadorGeorges Bizet, tenThingD Minor27A148 BPM
O cessate di piagarmi (from Il Pompeo) by Alessandro Scarlatti, Cecilia Bartoli, György FischerO cessate di piagarmi (from Il Pompeo)Alessandro Scarlatti, Cecilia Bartoli, György FischerE Minor09A68 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7438991069793701

End: 0.7498047351837158