"Cavalleria Rusticana: Intermezzo - Instrumental" by Pietro Mascagni, Andre Kostelanetz, New York Philharmonic was released on November 2, 1989. The duration of Cavalleria Rusticana: Intermezzo - Instrumental is about 3 minutes long, at 3:12. Based on our data, "Cavalleria Rusticana: Intermezzo - Instrumental" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Opera Without Words". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Cavalleria Rusticana: Intermezzo - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalleria Rusticana: Intermezzo - Instrumental by Pietro Mascagni, Andre Kostelanetz, New York Philharmonic having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
Billy the Kid Suite: VI. Celebration. After Billy's Capture | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 5 | 8B | 171 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
The Rite of Spring (1913 Version): The Sacrifice, Part II: Mystic Circles of the Young Girls | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 1 | 12A | 105 BPM | ||
Guillaume Tell: Overture - Remastered | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | B Minor | 2 | 10A | 96 BPM | ||
The Gadfly, Op97: 3. Youth (Romance) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | C Major | 1 | 8B | 138 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Rhapsodie Sur Un Thème De Paganini: Variation 18 | Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert | D♭ Major | 1 | 3B | 136 BPM |
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