Billy the Kid Suite: VI. Celebration. After Billy's Capture - Aaron Copland, Leonard Bernstein, New York Philharmonic Information

Acousticness: 88%
Danceability: 43%
Energy: 53%
Instrumentalness: 77%
Liveness: 44%
Loudness: 77%
Speechiness: 25%
Valence: 58%
Popularity: 19%
Loudness: -13.754 dB

Summary

Aaron Copland, Leonard Bernstein, New York Philharmonic made "Billy the Kid Suite: VI. Celebration. After Billy's Capture" available on 1960. The duration of Billy the Kid Suite: VI. Celebration. After Billy's Capture is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Billy the Kid Suite: VI. Celebration. After Billy's Capture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Billy the Kid Suite: VI. Celebration. After Billy's Capture is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Billy the Kid Suite: VI. Celebration. After Billy's Capture BPM

The tempo marking of Billy the Kid Suite: VI. Celebration. After Billy's Capture by Aaron Copland, Leonard Bernstein, New York Philharmonic is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Billy the Kid Suite: VI. Celebration. After Billy's Capture Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe	George Frideric Handel, Pierre Boulez, New York Philharmonic	D Major	2	10B	99 BPM
The Crown Of India: March Of The Mogul Emperors	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B Minor	4	10A	90 BPM
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke	Richard Strauss, Bernard Haitink, London Symphony Orchestra	F♯ Minor	0	11A	83 BPM
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Carmen Suite No. 1: Les dragons d'Alcala. Allegro moderato (Prelude to Act II)	Georges Bizet, Leonard Bernstein, New York Philharmonic	G Minor	1	6A	107 BPM
Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik)	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	D Major	1	10B	126 BPM
Symphony No.2: 2. Allegro risoluto	Aram Khachaturian, Wiener Philharmoniker	A♭ Major	3	4B	101 BPM
Dance Symphony (1999 Digital Remaster): Introduction: Lento - molto allegro	Aaron Copland, Enrique Bátiz/Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz, Orquesta Filarmónica de la Ciudad de México	C Major	0	8B	130 BPM
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai	Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar	A Minor	2	8A	110 BPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	132 BPM

ISRC: USSM15900160
Label: L-M Records/RCA Records

Section: 0.7317283153533936

End: 0.734856367111206