"Rhapsodie Sur Un Thème De Paganini: Variation 18" by Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert was released on January 1, 2007. The duration of Rhapsodie Sur Un Thème De Paganini: Variation 18 is about 3 minutes long, at 3:16. Based on our data, "Rhapsodie Sur Un Thème De Paganini: Variation 18" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Le Must Compilation, Vol. 14" album is number 14 out of 14. Based on our statistics, Rhapsodie Sur Un Thème De Paganini: Variation 18's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsodie Sur Un Thème De Paganini: Variation 18 by Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 22 in E-Flat Major, K. 482: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | C Minor | 0 | 5A | 68 BPM | ||
La Berceuse, aus der Oper 'Jocelyn' | Benjamin Godard, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | F Major | 0 | 7B | 96 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 | Charles Gounod, Pierre Fournier, Lamar Crowson | C Major | 1 | 8B | 86 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Mélodie (Gluck / Kreisler) | Angele Dubeau, Ensemble Amati, Raymond Dessaints | D Minor | 1 | 7A | 86 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Violin Concerto No. 1 in E Major, RV 269 "La primavera": 1. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM |
Section: 0.6471121311187744
End: 0.6525003910064697