"Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846" by Charles Gounod, Pierre Fournier, Lamar Crowson was released on January 1, 2005. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 77 in the song's album "Pierre Fournier - Aristocrat of the Cello". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 by Charles Gounod, Pierre Fournier, Lamar Crowson having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma, Акт I, Сцена 1: "Casta Diva" | Vincenzo Bellini, Ансамбль солистов Московской Государственной филармонии "Концертино", Андрей Корсаков, Виктор Козодов | A Major | 4 | 11B | 144 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
"Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: II. Un poco più animato | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A♭ Major | 1 | 4B | 85 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Requiebros | Gaspar Cassadó, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 2 | 10B | 84 BPM | ||
Gounod : Faust : Act 2 "Il était temps!" [Méphistophélès] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 1 | 7B | 80 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM |
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