Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 by Charles Gounod, Pierre Fournier, Lamar Crowson

Song Analysis

Audio information that is featured on Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 by Charles Gounod, Pierre Fournier, Lamar Crowson.

Acousticness

99%

Energy

15%

Liveness

8%

Speechiness

4%

Danceability

15%

Instrumentalness

88%

Loudness

68%

Valence

6%

Harmonic Matches

Find songs that harmonically matches to Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 by Charles Gounod, Pierre Fournier, Lamar Crowson. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Tågen Letter by Carl Nielsen, Vestjysk Chamber EnsembleTågen LetterCarl Nielsen, Vestjysk Chamber EnsembleC Major18B110
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Melodie in F-Dur - Gemafrei - Piano Version by Anton Rubinstein, Ronny MatthesMelodie in F-Dur - Gemafrei - Piano VersionAnton Rubinstein, Ronny MatthesC Major08B125
Masquerade (Suite): 1. Waltz - Excerpt by Aram Khachaturian, London Symphony Orchestra, Stanley BlackMasquerade (Suite): 1. Waltz - ExcerptAram Khachaturian, London Symphony Orchestra, Stanley BlackC Major38B67
Siete Canciones Populares Españolas: VI. Nana - for alto and piano by Manuel de Falla, Tabea Zimmermann, Javier PerianesSiete Canciones Populares Españolas: VI. Nana - for alto and pianoManuel de Falla, Tabea Zimmermann, Javier PerianesC Major08B141
Les larmes de Jacqueline, Op. 76, No. 2 by Jacques Offenbach, Harriet Krijgh, Kamilla IsanbaevaLes larmes de Jacqueline, Op. 76, No. 2Jacques Offenbach, Harriet Krijgh, Kamilla IsanbaevaC Major18B90
Ballade pour Adeline by André Rieu, Johann Strauss Orchestra, Stéphanie DetryBallade pour AdelineAndré Rieu, Johann Strauss Orchestra, Stéphanie DetryC Major48B130
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo by Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko FranckViolin Concerto No. 1 in D Major, Op. 19: II. Scherzo: VivacissimoSergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko FranckC Major38B150
Le carnaval des animaux, R. 125: Le cygne by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraLe carnaval des animaux, R. 125: Le cygneCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraC Major08B83
Locus iste, WAB 23 by Anton Bruckner, Choir of King's College, Cambridge, Stephen CleoburyLocus iste, WAB 23Anton Bruckner, Choir of King's College, Cambridge, Stephen CleoburyC Major18B126
Harmonies des bois, Op. 76: 2. Les larmes de Jacqueline by Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre BlochHarmonies des bois, Op. 76: 2. Les larmes de JacquelineJacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre BlochC Major08B84
Ave Maria by Charles Gounod, Johann Sebastian Bach, Nana Ou-Yang, 江天霖Ave MariaCharles Gounod, Johann Sebastian Bach, Nana Ou-Yang, 江天霖C Major08B86
Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile by Franz Joseph Haydn, Viviane ChassotKeyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabileFranz Joseph Haydn, Viviane ChassotC Major08B140
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Peer Gynt, Op. 23: Solveig's Song by Anna Netrebko, Prague Philharmonia, Emmanuel VillaumePeer Gynt, Op. 23: Solveig's SongAnna Netrebko, Prague Philharmonia, Emmanuel VillaumeA Minor18A113
Liszt: Wiegenlied, S. 198 by Franz Liszt, Bertrand ChamayouLiszt: Wiegenlied, S. 198Franz Liszt, Bertrand ChamayouA Minor08A62
Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) by Heitor Villa-Lobos, Liat Cohen, Natalie DessayVilla-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)Heitor Villa-Lobos, Liat Cohen, Natalie DessayA Minor08A70
Gymnopédie No. 3: Lent et grave (arr. for baroque ensemble) by Erik Satie, Lautten CompagneyGymnopédie No. 3: Lent et grave (arr. for baroque ensemble)Erik Satie, Lautten CompagneyA Minor08A70
La Traviata, Act III - Preludio, scena e aria: Addio, del Passato Bei Sogni Ridenti by Giuseppe Verdi, Teodor CurrentzisLa Traviata, Act III - Preludio, scena e aria: Addio, del Passato Bei Sogni RidentiGiuseppe Verdi, Teodor CurrentzisA Minor08A99
Liebesleid - Arr. Mischa Maisky by Fritz Kreisler, Mischa Maisky, Pavel GililovLiebesleid - Arr. Mischa MaiskyFritz Kreisler, Mischa Maisky, Pavel GililovA Minor08A83
Melodia sentimental by Heitor Villa-Lobos, Gustavo Tavares, Nelson FariaMelodia sentimentalHeitor Villa-Lobos, Gustavo Tavares, Nelson FariaA Minor18A176
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 by Johannes Brahms, Ferruccio Busoni, Igor Levit6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10Johannes Brahms, Ferruccio Busoni, Igor LevitA Minor08A84
Romance (Arr. for Cello and Piano by Steven Isserlis) by Alexander Scriabin, Mischa Maisky, Lily MaiskyRomance (Arr. for Cello and Piano by Steven Isserlis)Alexander Scriabin, Mischa Maisky, Lily MaiskyA Minor18A84
Fantasiestücke, Op.73: 1. Zart und mit Ausdruck by Robert Schumann, Kian Soltani, Aaron PilsanFantasiestücke, Op.73: 1. Zart und mit AusdruckRobert Schumann, Kian Soltani, Aaron PilsanA Minor08A132

Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 by Charles Gounod, Pierre Fournier, Lamar Crowson Information

This song is track #9 in Pierre Fournier - Aristocrat of the Cello by Charles Gounod, Pierre Fournier, Lamar Crowson, which has a total of 77 tracks. The duration of this track is 3:31 and was released on January 1, 2005. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 might be one of them, due to it's low energy and danceability.

Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 BPM

Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 has a BPM of 86. Since this track has a tempo of 86, the tempo markings of this song would be Andante (at a walking pace). Based on the tempo, this track could possibly be a great song to play while you are doing yoga or pilates. Overall, we believe that this song has a slow tempo.

Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 Key

The key of Ave Maria, CG 89a: arr. from Bach's Prelude No.1 BWV 846: Ave Maria: Arr. From Bach's Prelude No. 1 BWV 846 is C Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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