Robert Schumann, Wilhelm Kempff's 'Papillons, Op. 2: XII. Finale' came out on February 16, 2011. The duration of Papillons, Op. 2: XII. Finale is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Papillons, Op. 2: XII. Finale's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wilhelm Kempff's "Kempff - Brahms: Piano Sonata No.3 - Schumann: Papillons - Fantasie in C" album is number 18 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Papillons, Op. 2: XII. Finale is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Papillons, Op. 2: XII. Finale by Robert Schumann, Wilhelm Kempff to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Chopin: 12 Études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | ||
Schumann: Liederkreis, Op. 24: No. 3, Ich wandelte unter den Bäumen | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | B Major | 0 | 1B | 78 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch) | Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser | A♭ Major | 2 | 4B | 71 BPM |
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