"Stabat mater: II. Incantation" by Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins was released on 2007. The duration of Stabat mater: II. Incantation is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Stabat mater: II. Incantation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Stabat Mater". In this album, this song's track order is #2. Stabat mater: II. Incantation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat mater: II. Incantation by Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Gothique, Op. 25: I. Introduction - Choral. Maestoso | Léon Boëllmann, Ian Tracey | F Minor | 1 | 4A | 66 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Lead us, heavenly Father, lead us (Mannheim) | Friedrich Filitz, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey | E Major | 2 | 12B | 86 BPM | ||
Pilgrim Songs from the Monastery of Montserrat [1400-1420]: Cantiga de Santa Maria No. 77-119 | Anonymous, Belinda Sykes, Bernhard Landauer, Unicorn Ensemble, Michael Posch | F♯ Major | 5 | 2B | 171 BPM | ||
Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | B Major | 4 | 1B | 129 BPM | ||
Empires of Light | Caroline Dale, Walter Taieb | A Minor | 1 | 8A | 173 BPM | ||
Pilgrim Songs from the Monastery of Montserrat [1400-1420]: Quant ay lomon consirat | Anonymous, Belinda Sykes, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A♭ Minor | 2 | 1A | 97 BPM | ||
Light and Shadow | Vangelis | D Minor | 4 | 7A | 51 BPM | ||
Vivaldi, De Courson & Le Berre: Il duello (After Vivaldi's Concerto for Two Violins and Cello, Op. 3 No. 11, RV 565 and Violin Concerto Op. 8 No. 5, RV 253 "La tempesta di mare") | Antonio Vivaldi, Le Orfanelle Della Pieta, Nollaig Casey, Emer Mayock, Robert Harris, Dónal Siggins | A Major | 5 | 11B | 124 BPM | ||
Vivaldi, De Courson & Le Berre: Jig della inquietudine (After Vivaldi's Violin Concerto, RV 234 "L'inquietudine") | Antonio Vivaldi, Le Orfanelle Della Pieta, Nollaig Casey, Emer Mayock, Robert Harris, Dónal Siggins, Ronan Le Bars | D Major | 7 | 10B | 179 BPM |
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