Friedrich Filitz, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey made "Lead us, heavenly Father, lead us (Mannheim)" available on 1992. With Lead us, heavenly Father, lead us (Mannheim) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Your Favourite Hymns by Ian Tracey/Ian Wells/Liverpool Cathedral Choir/Liverpool Cathedral Brass Ensemble/Massed Choirs from Merseyside. The song's track number on the album is #19 out of 21 tracks. Lead us, heavenly Father, lead us (Mannheim) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Lead us, heavenly Father, lead us (Mannheim) by Friedrich Filitz, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lead us, heavenly Father, lead us (Mannheim) being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Surrexit Christus | The Songs of Taize Session Singers | D Major | 0 | 10B | 108 BPM | ||
Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E Major | 2 | 12B | 81 BPM | ||
The God Of Abraham Praise | The Choir of St. Mary's Episcopal Cathedral | B♭ Major | 1 | 6B | 125 BPM | ||
Wesley: Jesu, Lover of My Soul (Hollingside) - 4. Plenteous Grace with Thee Is Found | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 2 | 5B | 100 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
Abbots Leigh "Glorious Things of Thee Are Spoken" | Cyril Taylor, Truro Cathedral Choir, Simon Morley, Andrew Nethsingha | D Major | 1 | 10B | 109 BPM | ||
He Leadeth Me | Bradbury, Gilmore, Ely Cathedral Choir, Paul Trepte | D Major | 1 | 10B | 181 BPM | ||
Miles Lane "All Hail the Power of Jesus' Name" | William Shrubsole, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | A Major | 2 | 11B | 101 BPM | ||
Passion Chorale "O Sacred Head, Now Wounded" (After H.L. Hassler) | Anonymous, The Choir of Llandaff Cathedral, Michael Hoeg, Richard Moorhouse | C Major | 1 | 8B | 71 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM |
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