Stabat Mater: XIV. Paradisi gloria - Joseph Haydn, René Jacobs, Birgitte Christensen, Kammerorchester Basel, Zürcher Sing-Akademie Information

Acousticness: 98%
Danceability: 27%
Energy: 43%
Instrumentalness: 90%
Liveness: 27%
Loudness: 78%
Speechiness: 5%
Valence: 32%
Popularity: 16%
Loudness: -13.483 dB

Summary

Joseph Haydn, René Jacobs, Birgitte Christensen, Kammerorchester Basel, Zürcher Sing-Akademie's 'Stabat Mater: XIV. Paradisi gloria' came out on March 17, 2023. The duration of Stabat Mater: XIV. Paradisi gloria is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Stabat Mater: XIV. Paradisi gloria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, René Jacobs, Birgitte Christensen, Kristina Hammarström, Steve Davislim, Christian Immler, Kammerorchester Basel, Zürcher Sing-Akademie's "Haydn: Stabat Mater" album is number 14 out of 14. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Stabat Mater: XIV. Paradisi gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: XIV. Paradisi gloria BPM

We consider the tempo marking of Stabat Mater: XIV. Paradisi gloria by Joseph Haydn, René Jacobs, Birgitte Christensen, Kammerorchester Basel, Zürcher Sing-Akademie to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Stabat Mater: XIV. Paradisi gloria Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mandolin Concerto in G Major, S. 28: I. Allegro moderato	Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens	G Major	1	9B	119 BPM
String Quintet in D Major, Op. 39, No. 3, G. 339: I. Allegro vivo	Luigi Boccherini, Quintetto Boccherini	D Major	2	10B	140 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto	Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel	D Major	1	10B	78 BPM
Symphonie concertante in D Major, "Mirza": I. Allegro	Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln	D Major	1	10B	161 BPM
Orfeo ed Euridice: Overtura	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester	G Major	2	9B	76 BPM
Overtures For 2 Horns, 2 Oboes And Strings / Overture No.2 In A: 2. Andante	Josef Mysliveček, Concerto Köln, Werner Ehrhardt	B Minor	0	10A	101 BPM
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II	Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi	A Major	2	11B	111 BPM
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	C Major	0	8B	83 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso)	Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	70 BPM

ISRC: NLE422102214
Label: L-M Records/RCA Records

Section: 0.7030172348022461

End: 0.7070701122283936