"Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus)" by Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon was released on 1998. The duration of Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Offenbach: Orphee aux enfers". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) by Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Light Cavalry Overture | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Duos for Two Cellos, Op. 49 No. 4 in G Major: II. Rondo. Allegretto | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 1 | 9B | 139 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM |
Section: 0.8245663642883301
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