"Sonata No. 1 for cello and piano in D Minor: I. Prologue" by Claude Debussy, Alexandre Tharaud, Jean-Guihen Queyras was released on September 23, 2008. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 19 in Debussy & Poulenc: Sonatas for Cello & Piano by Jean-Guihen Queyras, Alexandre Tharaud. Sonata No. 1 for cello and piano in D Minor: I. Prologue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1 for cello and piano in D Minor: I. Prologue by Claude Debussy, Alexandre Tharaud, Jean-Guihen Queyras is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Chopin: Fantaisie in F Minor, Op. 49 | Frédéric Chopin, Alexandre Tharaud | D♭ Major | 2 | 3B | 74 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee) | Franz Francois Schubert, Leonidas Kavakos, Péter Nagy | E Minor | 3 | 9A | 113 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Cello Sonata in D Minor, Op. 40: III. Largo | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM |
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