- BPM
- 74
- Key
- D♭ Major
- Camelot
- 3B
Chopin: Fantaisie in F Minor, Op. 49 - Frédéric Chopin, Alexandre Tharaud Information
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 17%
- Instrumentalness
- 88%
- Liveness
- 9%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 45%
- Loudness
- -15.863 dB
Summary
"Chopin: Fantaisie in F Minor, Op. 49" by Frédéric Chopin, Alexandre Tharaud was released on November 23, 2009. Chopin: Fantaisie in F Minor, Op. 49 appears to be safe for all ages as it is not explicit. The song is number 5 out of 16 in Chopin "journal intime" by Frédéric Chopin, Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chopin: Fantaisie in F Minor, Op. 49 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Chopin: Fantaisie in F Minor, Op. 49 BPM
The tempo marking of Chopin: Fantaisie in F Minor, Op. 49 by Frédéric Chopin, Alexandre Tharaud is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Chopin: Fantaisie in F Minor, Op. 49 Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | |
 | Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | |
 | Bach, JS: Sonata for Violin & Keyboard No. 3 in E Major, BWV 1016: III. Adagio ma non tanto | Johann Sebastian Bach, Renaud Capuçon, David Fray | D♭ Minor | 1 | 12A | 89 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | |
 | Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | |
 | Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | |
 | Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | |
 | Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM |
- ISRC
- GBAYC0902298
- Label
- L-M Records/RCA Records
Section: 0.7201132774353027
End: 0.7241225242614746