"Adoramus te Christe" by Claudio Monteverdi, Giovanni Togni, World Chamber Choir was released on January 1, 2005. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Ensemble Concerto, Jordi Casals I Ibanyez's "Monteverdi: Sacred Music" album is number 8 out of 30. On top of that, Italy appears to be the country where this track was created. Adoramus te Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adoramus te Christe by Claudio Monteverdi, Giovanni Togni, World Chamber Choir to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
L'Orfeo, Atto quarto: III. O dolcissimi lumi | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, Francesc Garrigosa, Iván García, Le Concert Des Nations | G Minor | 1 | 6A | 108 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Psalm 130: Israel hoffet auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 2 | 7A | 88 BPM |
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