- BPM
- 86
- Key
- A Major
- Camelot
- 11B
L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969 - Gaetano Donizetti, Luciano Pavarotti, San Francisco Opera Orchestra, Giuseppe Patanè Information
- Acousticness
- 98%
- Danceability
- 45%
- Energy
- 17%
- Instrumentalness
- 34%
- Liveness
- 16%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 3%
- Loudness
- -12.477 dB
Summary
"L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969" by Gaetano Donizetti, Luciano Pavarotti, San Francisco Opera Orchestra, Giuseppe Patanè was released on January 1, 2010. The duration of L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969 is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 17 out of 115. On top of that, United States appears to be the country where this track was created. L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969 BPM
We consider the tempo marking of L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969 by Gaetano Donizetti, Luciano Pavarotti, San Francisco Opera Orchestra, Giuseppe Patanè to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
L'elisir d'amore, Act I: Quanto è bella - Live in San Francisco, 1969 Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] by Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes](https://i.scdn.co/image/ab67616d00001e023a8903fac78cdbba6ffd32f1) | The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | |
 | Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | |
 | La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | |
 | Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | |
 | Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | |
 | Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | |
 | L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro" | Gaetano Donizetti, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 3 | 11B | 127 BPM | |
 | Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | |
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM |
- ISRC
- USSRL0701613
- Label
- L-M Records/RCA Records
Section: 0.635899543762207
End: 0.6398417949676514