Gaetano Donizetti, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge made "L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro"" available on January 1, 1971. Since L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro"'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro" by Gaetano Donizetti, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
I Puritani / Act 3: Credeasi, misera! | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 86 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Wiener Philharmoniker | D Major | 2 | 10B | 84 BPM | ||
Puccini: La bohème, Act 4: "C'è Mimì...c'e Mimì che mi seque" (Musetta/Rodolfo/Schaunard/Mimì/Marcello) | Giacomo Puccini, Anna Moffo, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 71 BPM | ||
Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM |
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