Silvius Leopold Weiss, Lutz Kirchhof made "Suite in A Major (L'Esprit italien): VIII. Menuet I" available on 1992. With Suite in A Major (L'Esprit italien): VIII. Menuet I being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #8 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Suite in A Major (L'Esprit italien): VIII. Menuet I is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Suite in A Major (L'Esprit italien): VIII. Menuet I by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite in A Major (L'Esprit italien): VIII. Menuet I being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor: I. Prélude | François Dufaut, Jonas Nordberg | F Major | 0 | 7B | 133 BPM | ||
Folies d'Espagne | Jacques Gallot, Catherine Liddell | A♭ Minor | 0 | 1A | 93 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis] | Georg Philipp Telemann, Yolanda Kondonassis | E Minor | 0 | 9A | 104 BPM | ||
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Aria di Firenze per la C | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 114 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM | ||
Sinfonie et gagliarde, Libro 1: Sinfonia 11 "in Eco" | Salomone Rossi, Dorothee Oberlinger, Dmitry Sinkovsky | D Minor | 0 | 7A | 127 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM |
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