"Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis]" by Georg Philipp Telemann, Yolanda Kondonassis was released on March 26, 2002. With Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis] being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Yolanda Kondonassis's "Music for a Perfect Day: Wedding Music for Harp" album is number 16 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis] is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fantasia No. 1 in D Major, TWV 33:1 (Excerpt) [Arr. Y. Kondonassis] by Georg Philipp Telemann, Yolanda Kondonassis to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duetto for Flute and Guitar in A Major, Op. 51 No. 3: II. Rondo. Allegretto (Recomposed for Flute Solo by Luca Astolfoni Fossi) | Ferdinando Carulli, Claudio Ferrarini | G Minor | 2 | 6A | 69 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
Grande Sonata in D Major, Op. 2: VIII. Variazione 3 (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Gaspard Fritz, Claudio Ferrarini | C Major | 2 | 8B | 71 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Song of the Black Swan | Heitor Villa-Lobos, Eva Oertle, Consuelo Giulianelli | A Minor | 1 | 8A | 84 BPM | ||
Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 2 | 2B | 129 BPM | ||
Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | C Major | 1 | 8B | 118 BPM | ||
Songs Without Words, Book 6, Op. 67: 1. Meditation, MWV U 180 (Transcr. Y. Kondonassis) | Felix Mendelssohn, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Theme and Variations in G Minor | George Frideric Handel, Volker Sellmann | B Minor | 6 | 10A | 92 BPM |
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