"Quatrième suite in A Minor: No. 2, Allemande" by Marin Marais, François Joubert-Caillet, L'Achéron was released on October 15, 2021. The duration of Quatrième suite in A Minor: No. 2, Allemande is about 3 minutes long, at 3:10. Based on our data, "Quatrième suite in A Minor: No. 2, Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Quatrième livre de pièces de viole" album is number 11 out of 105. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Quatrième suite in A Minor: No. 2, Allemande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatrième suite in A Minor: No. 2, Allemande by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
[Suite en la majeur]: VII. Menuet (No. 23) | Marin Marais, François Joubert-Caillet, L'Achéron | E♭ Major | 1 | 5B | 77 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Die Kunst der Fuge, BWV 1080: XII. Contrapunctus inversus XII | Johann Sebastian Bach, Aapo Häkkinen | D♭ Minor | 5 | 12A | 151 BPM | ||
Affetti musicali, Op. 1: No. 23, La Boldiera | Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Massimo Lonardi | D Minor | 1 | 7A | 105 BPM | ||
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM | ||
The Indian Queen, Z. 630 / Act III: Rondeau | Henry Purcell, Notturna, Christopher Palameta | A♭ Major | 2 | 4B | 124 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM |
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